Like the Evo, the Shot 3 Retro features an LCD screen — albeit a much smaller one — that lets you decide whether to print a shot. It also supports Bluetooth, and you can use the Kodak Photo Printer app to upload photos to social media or print decent, relatively crisp images from your phone. Unlike the Evo, however, the Shot 3 Retro retails for around $170 and includes a pack of film. It also uses cheaper film; you can often pick up a 60-sheet cartridge for under $20. The cheaper arguably encourages creative experimentation, even if the large 3 x 3-inch square prints feel lower in quality and more flimsy than those from both Fujifilm and Polaroid.
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两个月后，重新打开画面，他发现了新的剪辑逻辑。声音的河流引领他重新拼接影像碎片，他不再执着于最初预设的政治历史框架，而是让材料自身的情感脉络浮现。杜耀豪总结：“电影实际上是一个非常透明的失败过程。我没有成功地把他们聚在一起，也没有人比以前更快乐。”
我当了30年文学刊物编辑，见过许多憋着劲儿要“一鸣惊人”、结果连第一段都画不上句号的作者。写作面对的最狠的敌人是什么？不是文笔差，不是没想法，而是那个在你耳边嘀咕“这不行、那不够”的完美主义小鬼。它让你写了三句删两句，让你总觉得这句、这段“没写好”，最后留下一个完不成的“作品”，或者什么也没留下。